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When
I was 13 years old I started attending Music and Art
high School , located on West 157th St. and Convent Ave.
in Manhattan. each day I would take a bus from my home
in Brooklyn , then a train one and a half hours to
Spanish Harlem. When I exited the subway there were many
bodegas and record shops along Broadway and Amsterdam
avenues. Each morning came the sounds of Jose Curbelo
and Abanaquito came blaring out of the small speakers on
to the street. This was my introduction to Tito Puente
in 1952..Tito Puente and Tito Rodriguez both playing in
Jose Curbelo's band. This experience made me want to
investigate Latin music. There was only one student in
school of Puerto Rican heritage. He told me about the
Palladium Ballroom in Manhattan. I started to go to the
Palladium when I was 15 years old. The owner , being
Jewish let me in even though I was under age. I would
stand in front of the bandstand and watch and listen and
learn from the newly formed Tito Puente orchestra. Every
time Tito would break a timbale stick I would run and
fight for it with the many young fans and budding
drummers. I collected his broken sticks and finally
bought a pair of ZimGar Mexican made cheapy timbales. I
would come home from school and practice with Tito's
recordings . I was a terrible timbale player, but by
playing along developed a feel for Latin music.
When I finally spoke to Tito for the first time, it was
like going to school with a MASTER. His vibe playing
inspired me to learn vibraphones , which I later passed
along to my brother Andy. I started to play with small
Latin bands in NY and played in the Catskill Mountain
Hotels where Tito Puente, Charlie Palmieri, Joe Cuba ,
Machito and the Lecuona Cuban Boys were all holding
court in the summertime.
I think that I have every Puente album ever made, and
when asked by many what is the best Latin Dance album of
all time , I simply say DANCE MANIA-circa 1956. I even
learned to dance to Tito's music(as best I can) . Tito
Puente was my mentor, teacher and inspiration and a true
friend. Salsa music , as we call it today would not have
existed without the greatness and creativity of Tito
Puente. He will live in our hearts and soul through his
music and the many scholarships he has set up for young
musicians. Rest in Peace El REY DEL TIMBAL.
I will miss you very mucho,
Larry Harlow
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